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Hack 73. Alter a Video's Look After Editing

Hack 73. Alter a Video's Look After Editing

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FromtheExportwindow,chooseMovietoQuickTimeMoviefromtheExport

pop-upmenu.Then,clicktheOptions…button,whichbringsuptheMovie

Settingswindow.Figure6-43showstheExportwindow.

InMovieSettingswindow(Figure6-44),youhavetheabilitytochangethe

video'scodecusingtheSettingsbutton,changethevideo'slookusingtheFilter

button,andchangethevideo'ssizeorrotationusingtheSizebutton.

You'reonlyconcernedaboutalteringthevideo'slook,soyoushouldclickthe

Filter…button.

Figure6-43.ExportingamovietoaQuickTimeMovie



Figure6-44.Changingavideo'slookwiththeMovieSettings

window



6.14.2.SelectingaFilter

ClickingtheFilter…buttonbringsupanewwindowwiththeavailablefilters,a

previewofyourfootage(whichreflectsanychangesyouapply),andasetof

controls.Theavailabilityandtypeofcontrolswilldependonthefilteryou

choose:



Adjustments



AlphaGain

Altersthealphachannelinyourimage(requiresanalphachannel)



BrightnessandContrast

Allowsyoutoincreaseordecreasethebrightnessandcontrast,

separately



ColorSync

Altersthespectrumofcolorforyourimagetomatchagiven

ColorSyncprofile



HSLBalance

EnablesyoutochangetheHue,Saturation,andLightness



RGBBalance

ProvidescontrolovertheRed,Green,andBluechannels



Blur



Blur

Letsyoubluryourimage



Filters



EdgeDetection

Locatesanddrawsedgeswithinyourimage



Emboss

Createstwooffsetgreyishimages,providingtheillusionofan

embossedimage



GeneralConvolution

Takesa3x3gridofpixels,andreplacesthecenterpixelwitha

weightedaverageofthesurroundingpixels



Sharpen



Sharpen

Bringsoutfinedetailswithintheimage,especiallyarounddefined

edges



SpecialEffects



ColorStyle

Enablesyoutobothsolarizeandposterizetheimage



ColorTint

ProvidesquickoptionsforcreatingaSepiaorX-Raylookingmovie,

aswellascontroloverthelightanddarkcolorsforauniquetint



FilmNoise

Addshairs,scratches,dust,andfadingtoprovideafilm-like

appearance



LensFlare

Createsalensflareatapointyouspecify

IpersonallyliketheEdgeDetectionfilter,whensettothehighestsetting

("7thickest").Ithinkitaddsasurreal,almostcartoon-likefeeltovideo.Figure645showstheEdgeDetectionfiltersetto"7-thickest"andto"Colorizeresult."

Figure6-45.EdgeDetectionusingthe"Colorizeresult"setting



AnothercoolfilteristheFilmNoiseeffect.Notonlydoesitallowyoutoaddthe

appearanceofhairs,scratches,anddust,butitalsooffersatypeoffilmfading.I



likethe1930scolorfilmchoice,becauseitreallysaturatestheimage.Figure646showstheFilmNoisefilterbeingappliedtoamovie.

Whenyouhavechosenthefilteryouwouldliketoapply,andconfigureditto

yourliking,clickOKandthenSave.Theexportprocesscantakealongtime.

Dependingonthespeedofyourcomputerandthelengthofyourmovie,you

mightwanttogograbacoffee.



6.14.3.SavingMoviesforReference

Becausetheexportcreatesanewvideofile,anddoesnotaltertheoriginal,you

canselectanewfilterandrepeattheprocess.Thebestwaytobecomefamiliar

withthefiltersandtheireffectsistoapplyeachoneindividuallytoashortvideo.

Then,savethevideotoyourharddriveandkeepthefilteredvideosforfuture

reference.

Figure6-46.FilmNoise,makingthevideolooklikea1930scolor

film



Hack74.ExposeOnlyOneColor



Themovies"Pleasantville"and"Shindler'sList"havescenesthatappear

inblackandwhitewhileexposingonecolor,suchasred.Youdon'tneeda

bigbudgettousethiseffectinyourmovies.

Itisrareyouwilleverwanttoremovecolorfromashot,oranentiremovie.Yet,

insomeinstances,itmakessensewithinthestoryyouaretelling.Usingthe

followingtechnique,youcancreateablackandwhitescene,whileallowingone

colorto"passthrough,"knownasacolorpasseffect.Figure6-47showsan

originalandcompletedimageusingthecolorpasseffect.

Figure6-47.Usingyellowtohelpalertpeopletoavoidphysical

harm



Whenplanningonusingthistechnique,itwillhelpifyoucanlimitthecoloryou

wouldliketoexposetotheobjectwhereyouwouldliketodrawattention.For

example,ifyouwouldliketofocusonagirlinareddress,youshouldtryto

avoidhavingotherred-coloredobjectsintheframe.



PremiereincludesaColorPasseffect,whichmakescreatingthislook

ultra-easy.Youjustneedtodrag-and-droptheColorPasseffectonto

yourfootageandselectthecoloryouwouldliketoexpose.Twosteps

andyou'redone.



6.15.1.LayeringYourVideo

Inordertocreatethecolorpasseffect,youwillneedtocreatetwolayersof

video.Onewillcontaintheimageasablack-and-whitecomposition,whilethe

otherwillcontainjusttheimage/coloryouwouldlikevisible.Whencombined,

theywillcreatesingleimagewithonlyonecolorvisible.

Themethodyouusetocreatetwolayerswilldependonyoureditingsystem.For

themajorityofsystems,youshouldbeabletodrag-and-dropyourfootageonto

yourtimeline.Youcanthenrepeattheprocess;however,youshoulddragyour

footageeitheraboveorbelowyourfirstlayer.



6.15.2.CreatingaBlackandWhiteImage

Thefirststepincreatingthecolorpasseffectistocompletelydesaturateyour

lower-leveltrack.Thiswillcreatethebaseimageforyourcompositionasblack

andwhiteandallowyoutoworkmoreefficiently.Todesaturateyourimage:



Avid

Tools EffectsPalette

Saturation)



Image



ColorEffect(Chroma



FinalCut

Effects



VideoFilters



ImageControl



Destaturate



Eventhoughyou'venowremovedallofthecolorfromyourfootage,youhave

affectedonlythelowertrack.Therefore,yourimagewillstillappearinyour



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